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The Pink Supermoon

Waxing gibbous moon

Right, the pink supermoon… Or, how things don’t always go to plan.

I posted the 2020 Astronomy Calendar some time ago and even before then I knew that photographing the April Supermoon would be one of my main goals for this year. Of the 4 supermoons this year, the Pink Moon was the closest to Earth (and largest) and it was also expected to be very bright and almost golden.

I’m not a big astro photographer, but every now and then I like to take a good shot of the moon. If you search for the term “moon” you’ll find a few post here in the blog. And for this one I had big plans. I even thought about taking a trip somewhere just for this shot, because the weather in London is often unpredictable. For example, in all the years I spent here, I was never able to watch a solar eclipse because it’s always been cloudy, if not rainy. I thought I’d book a flight to somewhere with more chances of a clear sky.

But then the coronavirus outbreak happened.

Oh well…

With all that is happening in the world, I’m not going to complain for a missed photo opportunity. Just for the sake of this narrative, there was some disappointment because I had set expectations pretty high and they suddenly went into thin air. But of course it’s all trivial right now.

So, I needed to make do with what was available to me. Luckily, I have a garden so I can set the tripod out to take some photos of the pink supermoon and also some test shots prior. The waxing gibbous moon for example turned out not too shabby.
It’s the photo at the beginning of this post.

I might be throwing terms here that not everyone is familiar with. So, waxing means that it is getting bigger (it’s waning when it gets smaller). Gibbous refers to the shape: it’s less than full moon but larger than the semicircle shape of the Third Quarter. And the supermoon is explained in details in the previous posts 😉
It’s actually better to photograph the moon between quarters, because the way the sun light hits it you will get more details on the craters. When it’s full moon, it is rather flat.

Now, the Pink Supermoon…

The night between the 7th and the 8th of April, that’s when the Pink Supermoon was expected. And it happened. In many parts of the world, but not so much in London.
I said in the beginning that the weather here can be unpredictable, didn’t I? After a fairly clear bright and sunny day, just before moonrise the sky started turning hazy. I mean, it was perfect until 30 minutes before moonrise…

I still took a few shots, it’s always worth documenting what you see. But it was nothing like what I was dreaming to achieve. There was so much haze I couldn’t even see any detail on the moon face. And the clouds started to thicken as well. There was a moment when the moon was high in the sky that it was clear enough to take pictures of it. And some photographers with a better view than mine took very nice shots. I saw one with the moon right behind the tip of the Shard skyscraper, for example. Well done.
And then again it went behind the clouds.

There wasn’t much I could do about it. So I just took my camera and made the most of what I had. I still had fun and got my shots.

But…

When the Pink Supermoon was higher in the sky and it was all bright and clear, I had my go at it and still captured a beautiful full moon shot. As I mentioned earlier, you get more details and some depths in the craters when the moon is hit by sunlight from the an angle. But here I could still see details in the edges as well. So I took my heavier tripod, set the “beast” lens and started shooting.

For the shot you will see below, my setup was a bit more unusual. Of course I used my Fujifilm X-T2, but I didn’t mount a Fuji lens on it. Fujifilm have a nice 100-400mm among their lenses, but I never purchased it because it’s a kind of lens I would use too rarely. I do rent it sometimes though. No, this time I had an old Nikon 80-400mm (which is huge and heavy) and I attached it to my Fuji camera with a Metabones adapter. On top of that, I used a 2x teleconverter which gave a me a total full length of ~1200mm as the Fuji APS-C sensor gives me an additional 1.43x.

I took about 100 photos at 1 second interval. The idea here is to take all these different photos and stack them together in Photoshop to achieve maximum detail and reduce noise.
This is how you do it…

Workflow

First of all import all you photos in Lightroom or CaptureOne or any software you use for basic editing. Adjust all you need (white balance, temperature, highlights, etc) then export all photos. If your computer is powerful enough to handle editing 100 Raw photos together go for it, otherwise export them in JPG at 100%. Open them as layers in Photoshop.
From there, select them all and click Edit > Auto-Align Layers (then wait). Then click Layer > Smart Objects > Convert to Smart Object.
The last step is where the magic happens… Go back to Layer > Smart Objects and this time go to Stack Mode and choose either Mean or Median. Either of those work, and it’s a matter of choosing the one that does the job better with the photos you are working on. By doing this, Photoshop will look at all the differences between the photos and use them cleverly to improve the details and remove the noise.

Result

Here is my result (with about 70 photos as I removed some). I added the stars for a bit of fun 🙂

The pink supermoon

The Pink Supermoon was the last supermoon of 2020. It was the last of 4 this year, and the biggest and brightest. Next one will happen in more than a year and there will only be 2 in 2021 and 2022.
I’ll be ready 😉


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